Porcelain, dye, water, plaster, video, projection
12 minute loop
As an advancement from Disintegration I, this installation multiplies the same idea to a larger scale. Thirty-five slipcast, unfired clay vessels were used in the recording of the performance. For the final installation, the forms were cast in plaster and used as a projection surface. Projection was on a one-to-one scale in order to help blur the line between reality and performance.
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